
AMERICAN DYSTOPIAN FICTION is alive and well — even flourishing. The spate of books that started with Suzanne Collins’s The Hunger Games (2008) and progressed through Ally Condie’s Matched (2010), Veronica Roth’s Divergent (2011), Marie Lu’s Legend (2011), and Joelle Charbonneau’s The Testing (2013), among many others, did not just signal a post-economic-downturn correction to […]
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Source: Los Angeles Review of Books –