With its inventive use of electric guitar and its knowing echoes of American military music — particularly effective in a scene Lee borrows from “Gone With the Wind” — Blanchard’s score stands up easily next to the year’s other most interesting movie music, including Ludwig Göransson’s from “Black Panther” and Ben Salisbury and Geoff Barrow’s from “Annihilation.” (Both of those scores are on the Oscars short list, along with music from “Crazy Rich Asians,” “First Man,” “If Beale Street Could Talk,” “Mary Poppins Returns” and others.)
Source: L.A. Times – Entertainment News