Walter Kerr, dean of the drama critics, was bowled over when he saw her in an updated version of the show, retitled “Lorelei”: “The performer is not only a marvel to look at, she’s equipped. Again and again in ‘Lorelei’ she took a line that might well have laid there and played arpeggios on it, falsetto to bass, making it come out music, the night music of near-madness.”
Source: latimes.com – Los Angeles Times